Thinking about a fox face may give many of us warm, fuzzy feelings. But don’t forget that foxes have teeth.While Milwaukee quartet Fox Face may not bite your face, their new album End of Man might just melt it off.

Featuring players drawn from various corners of the Brewtown music scene, Fox Face came together organically ahead of the recording sessions for their November 2017 debut album, Spoil + Destroy. Main songwriter Lindsay DeGroot (The Olives) started working on her songs with multi-instrumentalist Lydia Washechek (Static Eyes). Eventually fellow Olives member Mary Hickey joined up on bass, and the final piece of the band was found with the addition of drummer Christopher Capelle (Midwest Beat, Long Line Riders). Spoil + Destroy was one of the best garage punk albums of 2017-2018, taking on science deniers, misogynists and other jerks with songs anchored by fiery guitar playing and rock-solid ensemble playing.

End of Man, set for release  January 22^nd, 2021 on now Milwaukee-based Dirtnap Records, bumps up the furious guitar sound of Spoil + Destroy a few more notches. It’s not hard rock, per se, but the album’s sound edges in that direction. And you can tell that Fox Face has been playing together for several years now, because these recordings are tight AF. There’s no filler or extraneous padding; the arrangements and playing make for a cohesive whole, and lyrically the songs are direct and to the point while still remaining universal enough to be met on personal terms by the listener.

The songs again are again mostly provided by DeGroot, but everyone brought lyrics and music to the party. (Capelle instigated the album’s one cover, a reinvention of the Ethel Waters number “There’ll Be Some Changes Made,” recorded for Milwaukee Record’s Public Domain series.) The songs speak to our current fraught climate in both outward- and inward-looking ways. It’s necessary to call out the stomping title track as the best song Black Sabbath never wrote. Beyond that: Listen to the album, and let your ears find the songs on your own terms.

End of Man may not be a party record … at least, once you let the lyrics filter past your lizard brain enjoyment of the blazing riffs. But art is not supposed to be all fun and games. Standing up and speaking truth may not be the easiest path for a band or its listeners, but there is much to be said for catharsis. Anyone feeling despair and helplessness about our current political and societal breakdown should find some common ground to rage along with these new songs from Fox Face.

After a long wait, Fox Face‘s incendiary new album “End Of Man” is out now!

The first 150 copies are on red/black swirled vinyl, and are available mailorder-only. (black vinyl also available) All copies come with download coupon.

Order End Of Man here.

Order End Of Man/Spoil + Destroy (1st album) bundle here.

Stream/Download End Of Man here.

Thinking about a fox face may give many of us warm, fuzzy feelings. But don’t forget that foxes have teeth.While Milwaukee quartet Fox Face may not bite your face, their new album End of Man might just melt it off.

Featuring players drawn from various corners of the Brewtown music scene, Fox Face came together organically ahead of the recording sessions for their November 2017 debut album, Spoil + Destroy. Main songwriter Lindsay DeGroot (The Olives) started working on her songs with multi-instrumentalist Lydia Washechek (Static Eyes). Eventually fellow Olives member Mary Hickey joined up on bass, and the final piece of the band was found with the addition of drummer Christopher Capelle (Midwest Beat, Long Line Riders). Spoil + Destroy was one of the best garage punk albums of 2017-2018, taking on science deniers, misogynists and other jerks with songs anchored by fiery guitar playing and rock-solid ensemble playing.

End of Man, set for release  January 22^nd, 2021 on now Milwaukee-based Dirtnap Records, bumps up the furious guitar sound of Spoil + Destroy a few more notches. It’s not hard rock, per se, but the album’s sound edges in that direction. And you can tell that Fox Face has been playing together for several years now, because these recordings are tight AF. There’s no filler or extraneous padding; the arrangements and playing make for a cohesive whole, and lyrically the songs are direct and to the point while still remaining universal enough to be met on personal terms by the listener.

The songs again are again mostly provided by DeGroot, but everyone brought lyrics and music to the party. (Capelle instigated the album’s one cover, a reinvention of the Ethel Waters number “There’ll Be Some Changes Made,” recorded for Milwaukee Record’s Public Domain series.) The songs speak to our current fraught climate in both outward- and inward-looking ways. It’s necessary to call out the stomping title track as the best song Black Sabbath never wrote. Beyond that: Listen to the album, and let your ears find the songs on your own terms.

End of Man may not be a party record … at least, once you let the lyrics filter past your lizard brain enjoyment of the blazing riffs. But art is not supposed to be all fun and games. Standing up and speaking truth may not be the easiest path for a band or its listeners, but there is much to be said for catharsis. Anyone feeling despair and helplessness about our current political and societal breakdown should find some common ground to rage along with these new songs from Fox Face.